Welcome to The Queue — your each day distraction of curated video content material sourced from throughout the net. At the moment, we’re watching a video essay that explores cake on movie.
As we continue to learn on this column, the record of “stuff with an innate affinity with movie” simply retains on rising. Dancing appears preternaturally good on movie. Cooking and movie are a match made in heaven. And so does immediately’s topic: cake.
That’s proper: cake. A candy, bread-like dessert, there are sufficient iconic muffins in cinema to open a pastry store. The carrot cake in 2009’s Drag Me To Hell that has a demonic eye in it? Unbelievable. Bug-eyed Milton Waddams failing to seize a slice at a lukewarm celebration in Workplace Area? You like to see it. Debbie Reynolds’ exploding out of a cake in Singin’ Within the Rain? Put it within the Louvre.
With only a few exceptions, muffins are supposed to accompany particular occasions. A housewarming social gathering? Cake. Weddings? Cake. Depressive episode? Cake.
Perhaps it’s a false optimistic, however since main life occasions and cake are likely to go hand-in-hand, the pastry advantages from a great deal of residual metaphorical energy. All of us have robust emotional associations with cake; good, unhealthy, nostalgic, you identify it. And that’s exactly the type of visible storytelling cinema latches onto.
Want extra proof? — (don’t proof for too lengthy although, I’ve heard that makes baked items collapse on themselves) — then take a look at the video essay supercut under that celebrates the display screen time of cinema’s sweetest deal with.
Watch “Cake on Movie | A Candy-Toothed Supercut”
Who made this?
This take a look at muffins on movie comes courtesy of the superb of us at Little White Lies, a film-obsessed journal primarily based in the UK. Madzia Zalewa edited this video. You may comply with Little White Lies on Twitter here. And you’ll take a look at their official web site here. You may subscribe to their YouTube account here.
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Meg has been writing professionally about all issues film-related since 2016. She is a Senior Contributor at Movie College Rejects in addition to a Curator for One Excellent Shot. She has attended worldwide movie festivals corresponding to TIFF, Scorching Docs, and the Nitrate Image Present as a member of the press. In her day job as an archivist and data supervisor, she recurrently works with bodily media and is dedicated to making sure ongoing bodily media accessibility within the digital age. You’ll find extra of Meg’s work at Cinema Scope, Lifeless Central, and Nonfics. She has additionally appeared on numerous film-related podcasts, together with All of the President’s Minutes, Zodiac: Chronicle, Cannes I Kick It?, and Junk Filter. Her work has been shared on NPR’s Pop Tradition Glad Hour, Enterprise Insider, and CherryPicks. Meg has a B.A. from the College of King’s School and a Grasp of Info diploma from the College of Toronto.